EXHIBITION: Shin-Hanga: New Prints for a Modern Era: Japanese Prints and Paintings from a Los Angeles Collection
This special exhibition will be held at Sotheby's, New Bond Street, London, in conjunction with Asian Art in London 2024.
The exhibition will present twenty-six woodblock prints by key shin-hanga artists including Kawase Hasui (1883-1957), Ohara Koson (1877-1945), Takahashi Shotei (Hiroaki) (1871-1945) and Kasamatsu Shiro (1898-1991). Alongside these will be prints by two important Western artists who travelled to Japan during the early 20th century and were equally instrumental in the shin-hanga movement - Charles Bartlett (1860-1940) and Elizabeth Keith (1887-1956).
In addition, a highlight of the exhibition are two large and rare original paintings by Kawase Hasui.
Shin-hanga ['new prints'] is the term given to a genre of prints made in the twentieth century that employed the traditional Japanese hanmoto printmaking system, but in an updated, 'new' style. This traditional system of production which had been the norm for centuries in the production of Edo period ukiyo-e, comprised a publisher who would finance the project, commissioning designs from the artist and then hiring professional block carvers and printers to produce the work.
As Japan raced to modernise, one publisher in particular - the energetic and shrewd Watanabe Shozaburo (1885-1962), realised during the early years of the 20th century that the Japanese woodblock printing industry was declining as tastes changed and more efficient printing technologies were adopted. Passionate about ukiyo-e, the young Watanabe made it his mission to revive the artform, establishing a studio of skilled block carvers and printers who produced reproductions of classic 18th century ukiyo-e, replicating and preserving almost-lost printing techniques. However, Watanabe soon developed this further into a movement to revive ukiyo-e as a new genre - shin-hanga. He sought out a cohort of young Japanese artists who were influenced by Western art, as well as Westerners who had travelled to Japan and were influenced by Japanese art, and were able to combine tradition and modernity in their work, thereby producing prints using traditional techniques yet in a modern style.
The majority of the works in the exhibition were produced under Watanabe Shozaburo.
Also availabale to view during the exhibition will be other recent gallery acquisitions of fine 18th and 19th century ukiyo-e including two rare chuban prints formerly in the collection of Henri Vever (1854-1942) by Suzuki Harunobu (1725-1770) and Isoda Koryusai (1735-1790).
To view recent gallery acquisitions online now, go to: https://www.avsjapaneseart.com/artworks/categories/12-recent-acquisitions/
For further information on the collaboration between Sotheby's and Asian Art in London, go to: https://www.sothebys.com/en/series/asian-art-week-london
Exhibition location:
Sotheby's
34-35 New Bond Street
London, W1A 2AA
United Kingdom
Exhibition schedule:
Tuesday 29th October 9:00am to 4:30pm
Wednesday 30th October 9:00am to 4:30pm
Thursday 31st October 9:00am to 4:30pm
Friday 1st November 9:00am to 4:30pm
Saturday 2nd November 12:00pm to 5:00pm
Sunday 3rd November 12:00pm to 5:00pm
Monday 4th November 9:00am to 8:00pm
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Kawase Hasui (1883-1957)Kozu, Osaka, from the series Souvenirs of Travel, Third Series (Tabi miyage dai sanshu), 1924Woodblock print
Signed: 'Hasui'
Artist's seal: 'Kawase'
Dated: Taisho 13 (1924)
Publisher: Watanabe Shozaburo (Hotei seal 'C', consistent with printing 1927-32)Vertical oban:Sold
38.4 x 25.4 cm. (15 ⅛ x 10 in.) -
Charles W. Bartlett (1860-1940)Negishi. 1916, from the series 2nd Series. Japan, 1916Woodblock print
Signed in red-brown pencil: ‘Charles W Bartlett’
Printed monogram in keyblock: ‘CWB’
Printed title as above in keyblock
Copyright seal in red at lower left
Publisher: Watanabe Shozaburo; seal in lower left margin
Date: 1916Vertical oban:Sold
37.5 x 24.8 cm. (14 ¾ x 9 ¾ in.) -
Charles W. Bartlett (1860-1940)Prayers at Sunset (also called Udaipur. India), 1919Woodblock print, 1919
Signed in graphite: ‘Charles W.Bartlett’
Printed monogram: ‘CWB’
Printed title as above in block at lower left
Publisher: Watanabe Shozaburo28.9 x 41 cm. (11 ⅜ x 16 ⅛ in.)Sold -
Charles W. Bartlett (1860-1940)Taj-Mahal from the Desert, 1919Woodblock print, ‘blue-grey/brown’ variant
Signed in pencil: ‘Charles W.Bartlett’ (pencil rubbed leaving signature impression only)
Printed monogram: ‘CWB’
Printed title in block as above in image
Copyright seal in red at lower left
Publisher: Watanabe Shozaburo
Date: 1919Horizontal oban:Sold
27.9 x 39.6 cm. (11 x 15 ⅝ in.) -
Charles W. Bartlett (1860-1940)Jaunpur, India, 1920Woodblock print, ‘early morning’ variant
Signed in graphite: ‘Charles W.Bartlett’
Printed monogram: ‘CWB’
Publisher: Watanabe Shozaburo
Date: 1920Vertical oban:Sold
39.5 x 27.5 cm. (15 ½ x 10 ⅞ in.) -
Charles W. Bartlett (1860-1940)The Golden Temple Amritsar, 1925Woodblock print
Signed in black ink: ‘Charles W. Bartlett’
Printed monogram ‘CWB’ in red in block at lower left
Copyright seal in red at lower left
Publisher: Watanabe Shozaburo
Date: 1925Horizontal oban:Sold
27.8 x 40.4 cm. (11 x 15 ⅞ in.) -
Elizabeth Keith (1887-1956)Blue and White (Ai to Shiro), 1925Woodblock print
Signed in pencil: 'Elizabeth Keith'
Publisher: Watanabe Shozaburo
Date: 192540.3 x 29.7 cm. (15 ⅞ x 11 ¾ in.)Sold -
Elizabeth Keith (1887-1956)Wisteria Bridge, China, 1925Woodblock print
Signed in pencil: 'Elizabeth Keith' at lower right
Publisher: Watanabe Shozaburo
Date: 1925Vertical oban:Sold
41.3 x 27.5 cm. (16 ¼ x 10 ⅞ in.) -
Ohara Koson (1877-1945)Two flycatchers feeding on nandina berries in snow, 1929Woodblock print
Signed: 'Shoson'
Artist's seal: 'Shoson'
Date: 1929
Publisher: Watanabe Shozaburo (Hotei 'C", consistent with printing 1927-32)Vertical oban:Sold
38.8 x 26 cm. (15 ¼ x 10 ¼ in.) -
Ohara Koson (1877-1945)Two goldfish, 1926Woodblock print
Signed: 'Shoson'
Artist's seal: 'Shoson'
Publisher: Watanabe Shozaburo (Hotei seal 'B', consistent with printing 1924-30, the earliest type of Watanabe seal for this print)Vertical oban:Sold
39.1 x 26 cm. (15 ⅜ x 10 ¼ in.)